It all started with a guitar riff! I love this article in the Wall Street Journal, as Jimmy Page reminisces about the creation of that song. Led Zeppelin is reissuing their first three albums on Atlantic Records, and Jimmy tells all about the creation of the classic “Whole Lotta Love”. As Jimmy says about the unforgettable riff,
“I knew it was strong enough to drive the entire song, not just open it. When I played the riff for the band in my living room several weeks later during rehearsals for our first album, the excitement was immediate and collective. We felt the riff was addictive, like a forbidden thing.”
It turns out competition between Robert Plant and Jimmy Page was an important element behind so much of their great sound… Jimmy creating the riffs, Robert echoing the instruments with his voice. I’m not sure if they could know how long-lastingly awesome their music would become! And the photos from the article are retro heaven…
Visit the Wall Street Journal page for a quick link to the song!
If you get a chance make sure to watch (and record!) the Smithsonian Channel’s presentation of “Blondies New York.” So great to see Debbie and Chris Stein carousing down memory lane of New York in the late 1970′s and early 1980′s. She HAD to be the most beautiful Punk Princess ever… ripped up clothes and thrift store t-shirts never looked so good… They talk a lot about creating the music and building the tracks, the last thing to come was Debbie’s unique voice. Debbie was interviewed saying that in that era she had to point out that her name wasn’t “Blondie” and that it was a band! I can’t even think of the word without thinking of that face and those cheekbones. Rapture!
I made a collaged image of her to add to the shop. Click here or on the image to see it in the store! I want it super large over a fabulous turquoise love seat, like the one below. I guess it’s time to redecorate!
Go to my web store here!
There is a new book out by Taschen Publishing, the amazing art book publishing house, on Emilio Pucci. Pucci, if you do not know already, was the absolute master of intricate kaleidoscope colors and prints. He liked to boast that no one with the surname of “Pucci” had held a working job for the last 1000 years! Hence, his first foray into business was called “Emilio of Capri” to hide the fact from the other Pucci family members that he was “working.”
By the early 1950s, Pucci was achieving international recognition for his bold and colorful prints, which were worn by the biggest celebrities of the era. His beautiful silk scarves are collectors items. I’m glad he decided to work!
I’ve always been a Led Zeppelin fan, they were something special, unique and never heard before … and never to be heard again. So thanks to YouTube, I’ve been watching all these old Zeppelin concerts, and I’ve grown to appreciate their unique genius in a new and more mature way. Of course, my retro love of the early 1970′s keeps me entralled, but especially the most absolutely gorgeous, sexy, blond God that was Young Robert Plant.
I still love Robert Plant, but I never really appreciated him fully until now. Of course, Jimmy Page, John Paul Jones and John Bonham match him in genius, yet I think it’s his bare chest and curly locks that do it. Not to mention they are the greatest Rock and Roll band ever! Long live the Queen; the Brits surely have brought us much musical joy (influenced by solid American roots!
Watch Led Zeppelin in their prime!
Check out my etsy store here for a couple of 1970s inspired prints.
I particularly like the Patchwork dresses I’ve been seeing.. they remind me of collage and layering in art forms. It is something tricky to achieve in both fashion and art. What clashes… and what is harmonious together?
I think the use of black and white makes it much easier to pattern clash. It is something I should try as I usually use a lot of color.
Below is one of my newer more “earthy” patchwork pieces. For now it is only available in my Etsy store (click on the image to visit my store!) as I have too many industrious activities going on and keeping up with them is exhausting (my life functions as a patchwork as well!) I think it is most beautiful as a canvas.
But please take your time to peruse my website, where I have many images not on etsy:
And as Autumn is near, of course I think of Paris, and this seems to represent a piece of a patchwork memory of Paris… It is time to go again. YAY!
All the pastel dyed jeans this season are affecting my color preferences. I quite like them… but what to wear with them? Batik-dyed skinny jeans also sound fab. For sure, the big platform wood shoes are a must for either!
I did buy this eyelet top from Banana Republic, I think it could work…
In any and ALL cases, though, the pastel clothing extravaganza will certainly work in the colorful city of Positano Italy, where I want to be wearing them SOON!
The Rolling Stones are celebrating their 50 years in show business, as I recently read in the Wall Street Journal. It was interesting to be reminded that the Stones’ early style was very natural, as in, one could almost say JCrew-ish? I have to say that I prefer Mr. Jaggar in those clothes in that era. A most beautiful English lad! Here is what phtographer Gered Mankovitz said about their style in the early days:
“In late 1965, when I first shot them, it was against the band ethos to dress up too much,” said rock photographer Gered Mankowitz, who toured with the band that year, and shot Stones album covers such as 1965′s “Out of Our Heads” and ’67′s “Between the Buttons.” “There wasn’t a lot of difference between their off- and onstage style, really. The look was natural, real—not flashy. Part of their visual strength was their individuality. And each had their own look.”
Although I also must say I love their jumpsuit and cape wearing in the years that were to follow, I think their classic look fit their youth well.
Click to view more fabulous Rolling Stones looks! May they Rock and Roll forever!!!
It’s been a long time between blog posts for me. I’ve had a bit of computer burn-out. Time always runs short, and I need to replenish by thinking and making things. Sometimes making things that have no use at all. There is a beauty in that, like the beauty of Bjork. I am so thrilled and grateful each and everytime I sell something, but getting it out there in cyberland takes many hours sitting in front of the computer. In fact, right now, instead of working, I read this fascinating article on what inspires Bjork; everything from music to the rain forests. I think it is well worth the time to find out about what inspires Bjork, because she is a true original creative force. I don’t always love all of her music, but I always love her and her strange beauty. She inspires me!
Click on this image to read and listen to some of the many things that inspire Bjork from this fabulous article on the guardian.uk website, written by Rebecca Nicholson.
You can also find images of her best fashion choices! Of course, the famous “Swan Dress” is there!
Quoted from Wikipedia’s entry on Coco Chanel:
In 1926 Gabrielle “Coco” Chanel published a picture of a short, simple black dress in American Vogue. It was calf-length, straight, and decorated only by a few diagonal lines. Vogue called it “Chanel’s Ford.” Like the Model T, the little black dress was simple and accessible for women of all social classes. Vogue also said that the LBD would become “a sort of uniform for all women of taste.”
In homage to the classic and iconic dress (like it’s creator!) I recently added a canvas art print of my own rendition of “Little Black Dresses.” You can buy it in my etsy shop now (I will soon be adding it to my website.) It is a lovely 8 X 10 X .75″ canvas print, ready to hang on the wall or place anywhere you want color (and black!) Of course, it is based on older fashion image and all gussied up. Click on the image to see more views.
Here are more images, just food for thought on the classic and immortal “Little Black Dress.” I actually own the last image, the book based entirely on the theme. Available on Amazon.com, of course!
Lately I’ve been worried about me and my shoes. I find myself coveting the towering platforms of summer, with thick leather straps and twine-roped wedges, or searching on the internet for the perfect tricolor blocked chunky sandal combination. I search for sales and online coupons, finding facsimiles for the Christian Louboutins or Marc Jacob’s that I want but won’t (read “can’t) buy. This month on the cover of Lucky magazine I found the perfect retro 70′s Christian Louboutin wood platforms on Lauren Conrad, but they were over $1000 dollars! I don’t think it is possible for me to spend $1000 dollars on a pair of shoes, even if money was no object. I’m just not made from that kind of stuff. But I wonder, why am I lusting after these shoes that will spend mere seconds this summer out of their box and out of the closet? As much as I truly and deeply love these “objets d’art”, everyday when I pull out a cute vintage top to mix with a current favorite pair of jeans, I find myself picking only the widest, roundest, rubber soled comfy scuffed up sensible flats to wear. Even mid heeled, feminine sandals are rejected at the last minute. Comfort reigns supreme! And yet, I lust still.
Here’s a great example of the shoes I really end up wearing. I found these incredible 1970′s leather dance shoes (made in Los Angeles!) while thrifting, and I have reluctantly added them to my etsy store. I really am hoping they don’t sell Very comfy and oh so practical!